Batflip, The Movie
Principal and supporting characters

Acting Opportunities

Each role has its own profile below, exploring the choices, contradictions and emotional turns that drive this prestige family drama.

From substantial leads to compact supporting roles, each character brings a distinct voice and personal stakes. These profiles explore the performance opportunities in Greg Chwerchak’s character-driven screenplay.

Joe Rocco — The father leading the fight

The New Jersey attorney fighting his son’s BatFlip suspension

A demanding dramatic lead with the comic freedom, moral complexity and emotional exposure to define an actor’s performance.

Joe can win a room with his wit and lose the people in it with his certainty. Fighting Marco’s suspension brings his greatest qualities into conflict: devotion, intelligence, loyalty and an inability to stop. He conceals the campaign from Liz, humiliates Casey and wounds Pop before discovering that his father is running out of time. The audience must understand the love driving him even when his behavior becomes hardest to defend.

Performance opportunity
The role asks an actor to carry incompatible truths in the same moment: a persuasive advocate who is failing to listen, a protective father who needs protection himself. The birthday dinner requires charm turning dangerous in real time. The cancer revelation dismantles his verbal armor. His promise to Marco and final touch on Pop’s shoulder offer a quieter, more difficult resolution. The breadth of comedy, conflict, shame and grief gives this lead the substance of an awards-caliber dramatic showcase.

Signature scenes The birthday dinner; the cancer revelation; the two home-run balls; the promise before court; the final game with Pop.

Liz Rocco — Joe’s wife

Marco’s mother and Joe’s wife

A formidable dramatic lead whose strength lies in the tension between self-respect, desire and enduring love.

Liz has her own career, humor and convictions about raising Marco. She can accept an unfair suspension; Joe’s deception is a different injury. At the birthday dinner, she learns the truth in front of friends and family and must decide how much of the humiliation to reveal. Her decision to return to the fight comes through her own judgment, with the hurt between them still present.

Performance opportunity
An actress can command the film through changing emotional access: warmth offered freely, anger held in check, intimacy withdrawn and cautiously restored. The public confrontation demands both exposure and control. At the hospital, she recognizes Joe’s fear while preserving her own position. Flirtation, maternal resolve, wounded pride and generous listening give the role unusual range. The central challenge is to make reconciliation an active, consequential choice, creating a leading performance with emotional authority and awards potential.

Signature scenes The birthday confrontation; leaving for the Shore; seeing Joe’s injured hand; the hospital reconciliation.

View Liz Rocco’s AM Realty Advisors profile ↗

Marco Rocco — Joe’s son

Joe’s twelve-year-old son, suspended for celebrating a home run

A breakthrough young lead with the athletic confidence, comic instinct and emotional openness to hold the film together.

Marco’s home run becomes a public argument before he has understood his own punishment. He can command a baseball field and still need help finding his socks. The suspension leaves him ashamed, yet he cheers for the teammate replacing him. His loyalty to the team gives the story a moral center the adults keep struggling to recover.

Performance opportunity
The performer must move convincingly between competitive ease and the child who needs his parents. Back-seat tears, ordinary family comedy and the embrace before court require different kinds of intimacy. The last at-bat adds physical storytelling: the same boy who threw the bat now lowers it deliberately. A young actor can make the audience feel what the controversy costs through timing, listening and behavior, culminating in a memorable performance whose generosity gives the final home run its meaning.

Signature scenes The tears in the back seat; cheering from the dugout; the embrace before court; the carefully lowered bat.

Ken Goldin — Lead supporting character · Netflix star

A lead supporting character: Joe’s close friend and confidant, a sports-auction entrepreneur and the star of Netflix’s King of Collectibles: The Goldin Touch

A wealthy, connected power player with larger-than-life charisma and a fierce devotion to his friends. A lead supporting role conceived as a major Best Supporting Actor showcase.

Ken is a lead supporting character who lives and operates on a grand scale: substantial wealth, a luxury lifestyle, celebrity friendships and an influential network across sports, business and media. A celebrated sports-auction entrepreneur and the star of Netflix’s King of Collectibles: The Goldin Touch, he combines the confidence of a master dealmaker with the generosity of a devoted friend. When Marco is suspended, Ken puts that world within Joe’s reach. He recruits Brian Berkley, mobilizes his publicity team and turns powerful connections into meaningful action for a father and son. The Lamborghini pledge captures his spirit: bold, memorable and rooted in loyalty. His friendship becomes one of the driving forces behind the family’s fight.

Performance opportunity
For an actor pursuing an Oscar-caliber supporting performance, Ken offers a rich combination of star presence, comic command and emotional depth. The performer gets to inhabit a world of wealth, celebrity and high-stakes dealmaking, then make every grand gesture feel personal. The Goldin office scenes call for authority, intelligence and effortless command; the Lamborghini pledge combines spectacle with heartfelt generosity; his scenes with Jenn reveal warmth, affection and natural humor. His bond with Joe gives these moments their emotional foundation. The challenge is to make influence, success and unwavering friendship feel inseparable. It is a substantial lead supporting role with signature scenes, a distinctive public persona and the emotional range to stand at the forefront of BATFLIP’s Best Supporting Actor Oscar ambitions.

Signature scenes The Goldin office; recruiting Brian Berkley; the Lamborghini pledge; warm moments with Jenn; the comparison-video reveal.

Visit King of Collectibles on Netflix

Brian Berkley — Joe’s trial lawyer

Joe’s trial lawyer in the fight to overturn his son’s suspension

A substantial supporting showcase in which professional control gives way to personal conviction.

Brian brings a respected firm, polished manners and a strategy to Joe’s emergency. Little League’s refusal and his client’s volatility test all three. Away from work, a strained family life exposes the limits of that authority. His daughter can read the defeat he would rather conceal. When the comparison footage changes the case, it also changes his investment in the people behind it.

Performance opportunity
The actor gets a demanding progression from tact to anger, private discouragement to exhilaration, and advocacy to belief. The poolside call tests status and composure; the clash with Joe lets both fracture. Watching the footage alone allows discovery to happen on his face. In court, every answer must register before the next argument is made. The role offers sustained dramatic exchanges, intelligent listening and an earned emotional release, giving a supporting actor material with both force and precision.

Signature scenes The poolside negotiation; Charlotte’s question; the clash with Joe; the late-night discovery; the emergency hearing.

View Brian Berkley’s Fox Rothschild profile ↗

Casey Langel — Joe’s closest friend

Joe’s closest friend and trusted sounding board

A supporting role with a striking emotional reversal: the man who makes everyone comfortable is left publicly exposed.

Casey knows Joe well enough to tease him, challenge him and hear what lies beneath the argument. Their friendship has an easy comic rhythm. At Casey’s own birthday dinner, a shared confidence turns him into the target of Joe’s anger. His wife and children are watching. The man accustomed to finding the joke has to decide how to absorb a wound he did not expect.

Performance opportunity
The actor builds the affection that makes the rupture hurt. Relaxed banter and physical ease establish years of trust; the dinner then asks for embarrassment, restraint and disbelief within the same beat. Protecting his dignity becomes an active struggle. The miniature Liberty Bell Joe later leaves at the door offers a private moment of recognition with little verbal cover. This is a rich opportunity for an actor with comic instincts to reveal dramatic depth through the sudden absence of a joke.

Signature scenes The stolen-car conversation; the birthday rebuke; the Liberty Bell apology.

View Casey Langel’s Lenox Law Firm profile ↗

Pop — Joe’s father

Joe’s father and Marco’s grandfather

A veteran supporting role of wit, accountability and mortality, with a sustained confrontation at its heart.

Pop is the grandfather Marco adores and the father Joe has never forgiven. He dresses sharply, jokes freely and refuses to surrender his place in the family. An illness he has concealed makes the distance from his son increasingly urgent. His warmth is real, as are the failures Joe remembers. The actor has to let both histories occupy the same man.

Performance opportunity
The hospital conversation moves through humor, self-defense, accusation and the risk of admitting love. Pop must acknowledge what he did while recognizing the damage Joe is now doing. The role asks for an elder’s authority alongside the fear of leaving something unrepaired. A hand on Marco’s knee and the final game offer tenderness on a smaller scale. The contrast between a formidable verbal scene and a largely wordless ending creates a supporting-actor showcase with substantial emotional and awards potential.

Signature scenes The dinner-table interruption; the hospital confrontation; Diane’s crucifix; the final game beside Joe.

Diane Rocco — Joe’s mother

Joe’s mother and Marco’s Nonna

A vivid supporting-actress showcase that moves from commanding family comedy to the vulnerability of needing care.

Diane still calls him Joey and still knows how he ought to live. Her house preserves his childhood; her love arrives through food, criticism and instructions. A fall changes her circumstances without removing her force. In the hospital she can still deliver a joke, but she also wants to go home and needs her son to stay. Her bond with Pop complicates Joe’s account of their family.

Performance opportunity
The actress can build a distinct voice, physical presence and rhythm of interruption, then let dependence disturb that familiar authority. The difficult work is making sharpness, affection, pride and fear available at once. The preserved bedroom reveals the mother beneath the opinions; the bedside scenes allow vulnerability to surface through ordinary requests. This is a textured supporting opportunity for a performer who can own a comic exchange and then make an unguarded moment quietly devastating.

Signature scenes The preserved bedroom and frozen dinner; the birthday-table commentary; the hospital bedside.

Michael Fitzgerald

Brian Berkley’s associate on the BatFlip case—and a new father

A warm supporting role that connects professional urgency with the exhaustion and wonder of new fatherhood.

Mike drafts the complaint while caring for an infant and discovering how parenthood changes the meaning of the case. His Little League memories give the fight a past; his baby gives its stakes a future. He brings diligence, gentle humor and a personal reason to care.

Performance opportunity
An actor can make competence coexist with fatigue and tenderness. Workplace rapport gives way to the private look toward his child after Brian explains what parents do for their children. The challenge is to let that recognition deepen the performance without interrupting the practical work. The role offers an accessible, emotionally grounded presence within the legal team.

Signature scenes The legal-team breakfast; filing with a stroller beside him; looking toward his infant; the courtroom exchange.

Maddie Feeney

The summer associate at Brian Berkley’s law firm who joins the BatFlip fight

An emerging actress’s showcase in which ambition becomes confidence through decisions made under pressure.

Summoned from the library, Maddie enters an urgent case among people with more experience and stronger opinions. She volunteers, researches, surprises them with her sports knowledge and chooses the work over Friday drinks. Her authority grows because she earns a useful place in the room.

Performance opportunity
The performance can track small but satisfying changes in posture, pace and willingness to interrupt. Nerves sit beneath eagerness; wit becomes easier as her contribution matters. Each exchange gives the actress a playable objective, from proving she belongs to arriving early with the work done. The appeal is watching a young professional begin to trust her own ability.

Signature scenes Recruitment in the library; the Flyers exchange; turning down happy hour; the early filing.

Joy McCoy

Little League’s chief legal officer

A formidable authority role built on stillness, precision and command.

Little League’s chief legal officer regards the dispute as settled. Her former judicial status, corrections and economical dismissals make Brian’s Sunday call a contest for control. In her view, protecting institutional authority is a serious responsibility.

Performance opportunity
The actress can give each pause and correction an intention: establish the terms, close an avenue, end the conversation. The role becomes more compelling when its certainty has an intelligent internal logic. Listening to the ruling offers a different challenge, with restraint carrying the reaction as others grow uneasy. It is a concentrated opportunity to make authority felt through very little visible effort.

Signature scenes The Sunday phone call; listening to the ruling from Little League’s offices; ending the call.

Maxwell Billek

Little League’s courtroom advocate

A courtroom adversary with sustained dramatic exchanges and the challenge of defending authority as the room shifts.

Billek argues that institutional discretion outweighs the family’s emergency. Procedure, measured sarcasm and his insistence that this is one game place him against the film’s emotional center. Brian and the judge keep testing the position he must hold.

Performance opportunity
The actor works through tactics: press a point, absorb a question, recover ground and preserve credibility. The thought between arguments is as useful as the arguments themselves. As the courtroom moves toward the family, professional composure must remain active under pressure. His attempt to regain the floor after the ruling gives the role a final, revealing beat of status slipping away.

Signature scenes The arguments over danger and discretion; the evidentiary questions; the attempted response after the ruling.

Judge Robert Malestein

The judge deciding whether Joe’s son returns to the baseball field

A commanding courtroom showcase with the humor, deliberation and timing to shape the film’s climactic release.

Malestein enjoys an audience. He recognizes reporters, savors a joke and knows how to hold a room. He also faces a consequential dilemma: protect a child’s irreplaceable experience while considering the limits of judicial intervention in youth sports.

Performance opportunity
The actor controls the movement from nervous laughter to uncertainty and, finally, relief. Showmanship and serious inquiry must remain credible together. A shifting line of questioning can change every face in the room; a pause can make the family wait. His return from chambers concentrates the suspense on his bearing and delivery. The role offers a seasoned performer substantial presence, verbal command and ownership of the courtroom’s emotional tempo.

Signature scenes The press-row introductions; questioning both sides; returning from chambers; the ruling.

Coach Frank DeLano

The Haddonfield coach defending a suspended player and preparing his team

A grounded supporting role in which leadership means caring for a child while making decisions that hurt him.

DeLano challenges Marco’s ejection, settles the protesting boys and prepares a replacement while the suspension stands. He understands the injustice the family feels, but every player still needs a coach. His rapport with Ken brings warmth and humor to the baseball community.

Performance opportunity
The actor’s authority must be physical and believable: how he handles a bat, gathers the team and returns attention to the game. Restraint carries the conflict between defending Marco and protecting the boys’ preparation. A held look can reveal what an instruction costs. The role gives a performer quiet moral weight and a distinctive place in the film’s baseball world.

Signature scenes The team’s warm-up; disputing the ejection; preparing the replacement; the final game.

Kiersten Langel

Casey Langel’s wife and a friend of Joe’s wife, Liz

An observant ensemble role with a sharp turn from easy intimacy to protective alarm.

Kiersten enjoys Casey’s charm, knows his weaknesses and shares a relaxed humor with Liz. At the birthday dinner she recognizes what her husband has revealed before the damage fully unfolds. She must then watch him absorb Joe’s anger in front of their children.

Performance opportunity
The actress can establish a marriage through playful familiarity, then let a glance change the scene’s temperature. Recognition, embarrassment and the instinct to protect Casey arrive before a speech could explain them. The role rewards an expressive listener: someone whose reactions give the audience another way to measure what Joe is doing to the people around him.

Signature scenes The Langel household; the dinner-table banter; recognizing Casey’s mistake; watching the confrontation.

Alyssa

Ken Goldin’s publicist, taking the BatFlip story to national media

A spirited supporting role built on professional confidence, quick thinking and lively rapport with Ken.

Ken turns to Alyssa to help bring Marco’s story to a national audience. Their lively professional rapport gives the campaign momentum as she recognizes the story’s reach and connects it with the right people.

Performance opportunity
The actress can move from everyday conversation into the excitement of recognizing a story with national significance. Her rapport with Ken and Ben depends on ease, wit and professional confidence. As her commitment to the family grows, the role offers an energetic, funny and resourceful presence in the publicity campaign.

Signature scenes Ken’s call about Marco; the exchange with Ben about a national pickup.

Ben

The SRK Strategies contact connecting the BatFlip story to Fox

A charming featured role in which relaxed conversation carries a consequential professional reveal.

Ben’s exchange with Alyssa opens the possibility of a Fox producer taking the case national. He knows something that can change the campaign’s reach and can enjoy choosing when to share it.

Performance opportunity
The actor gets to play the knowledge beneath the conversation. Friendly teasing, attentive listening and an unhurried disclosure establish someone comfortable with his access. The shift into useful information gives the scene a clear turn. A performer with natural conversational ease can make the contact feel like a person with a life and relationships beyond this one favor.

Signature scenes The conversation with Alyssa; revealing the Fox connection.

Noah

Ken Goldin’s head of content, building the BatFlip comparison video

An assured creative professional whose dry humor and excitement give the publicity effort a human face.

Goldin’s head of content understands images, edits and the personalities around him. With Nadiya, he presents the matched bat flips that make Little League’s contradiction visible. Ken’s connections could carry their work far beyond the office.

Performance opportunity
The actor can balance an easy working rapport with Ken against pride in an idea that works. Explaining the footage is an act of persuasion; sharing credit reveals the collaboration underneath it. Dry rapport gives way to a flicker of excitement as the audience for the work grows. The role offers wit, competence and a tangible creative victory.

Signature scenes The Goldin office; presenting the synchronized bat-flip video; learning how far it might travel.

Nadiya

Ken Goldin’s video editor, exposing Little League’s bat-flip double standard

A confident featured part with comic nerve, creative ownership and the pleasure of changing the argument.

Nadiya’s edit makes the double standard unmistakable. She knows the value of her work, shares her creative confidence and lively professional rapport with Ken while presenting it. Her authority comes from having solved the problem in front of them.

Performance opportunity
The actress can make every interruption and shared look with Noah count. A straight-faced request tests the boss; the response to a possible national audience reveals excitement beneath professional confidence. The challenge is to maintain the easy working relationship while enjoying the moment when everyone needs her contribution. It is a compact opportunity for precise humor and a strong individual presence.

Signature scenes The comparison-video presentation; asking for a raise; the exchange about Ken’s contacts.

Umpire Anthony Strazzullo

The umpire who ejects Joe’s son for the bat flip

A pivotal featured role at the instant a child’s celebration becomes a public confrontation.

Strazzullo announces the ejection and must defend his ruling as coaches, parents and players react. He believes he is maintaining control of the field. The people around him experience the decision as a personal injustice.

Performance opportunity
The actor has immediate pressure from several directions and a concrete task: communicate the call, hold his ground and keep the game moving. Voice, stance and attention establish the official before the argument escalates. Playing the conviction behind the ruling gives the scene its force. This is a concentrated opportunity to set the entire drama in motion through a consequential exercise of authority.

Signature scenes Marco’s ejection; the exchange with DeLano; controlling the reaction on the field.

Tina DiNicola

The court clerk handling Joe’s emergency challenge to the suspension

A character part with dry humor, practical authority and the confidence of belonging in the room.

Tina opens the courthouse, processes the emergency filing and trades baseball jokes with Malestein. Around her, the lawyers are anticipating a career-sized moment; she knows how the working day has to begin.

Performance opportunity
The actress can imply a long professional relationship through rhythm, familiarity and the absence of deference in the right places. Her practical ease gives the anxious visitors something to play against. As the courthouse fills, that same competence anchors the scene. A precise comic performer can establish a recognizable person through ordinary work and the comfortable way she handles the judge.

Signature scenes Opening the courthouse; handling the filing; the baseball exchange with Malestein.

Jenn Goldin — Ken’s wife

Ken Goldin’s wife, sharing the warmth and humor of his life beyond the spotlight

A warm, engaging supporting role that brings intimacy and affectionate humor to Ken’s story.

Jenn’s scenes with Ken reveal the easy familiarity of a shared life. Their conversation about paint colors brings everyday warmth and humor to a story unfolding on a national stage. Her support at the game extends that affection to Joe’s family.

Performance opportunity
The actress can create a recognizable marriage through affectionate humor, attentive listening and the comfort of years together. Small gestures and conversational ease reveal a relationship with its own rhythm. Her scenes with Ken offer memorable opportunities for chemistry and warmth, while her presence at the game reinforces the friendship at the heart of the film.

Signature scenes The paint-color conversation; supporting the family at the game.

Abby Fitzgerald

The wife of Michael Fitzgerald, a lawyer on Joe’s BatFlip legal team

An intimate featured role with the comic texture and tenderness of a couple learning how to be parents.

Abby holds the baby while Mike announces that he is getting up to help, then answers him in the infant’s voice. The joke carries the exhaustion, affection and practical imbalance of the moment.

Performance opportunity
The actress can let several feelings arrive together: amusement at Mike, fatigue in her body and care for the child she is holding. Timing has to grow from the relationship. The scene’s intimacy offers room for small behavior and natural listening, making a household feel established quickly. That warmth gives Mike’s commitment to another family’s emergency a personal foundation.

Signature scenes The exchange with Mike while holding their infant; the answer in the baby’s voice.

Charlotte

The nine-year-old daughter of Brian Berkley, Joe’s trial lawyer

A young performer’s showcase that exposes a father’s vulnerability through a simple, perceptive question.

After swim practice, nine-year-old Charlotte reads Brian’s defeated expression and asks whether he has been speaking to her mother. She recognizes something familiar in a face he hoped to keep composed.

Performance opportunity
The performance depends on observation and ease with the father beside her. The question can carry affection, familiarity and curiosity without needing a child to explain the marriage. A young actress who listens closely can make the exchange feel discovered. Its dramatic impact lies in how naturally she reaches the private man beneath Brian’s professional confidence.

Signature scenes The poolside reunion; the question about her mother.

Meredith

The receptionist at Brian Berkley’s law firm, fielding the BatFlip media calls

A comic featured role with a clear escalation from office composure to an extraordinary day on the switchboard.

Meredith lists the media outlets trying to reach Brian as he realizes what Joe and Ken have unleashed. Each inquiry increases the scale of the event. Good Morning America earns a particularly telling emphasis.

Performance opportunity
The actress can build the scene through rhythm, selective reverence and the effort to keep doing her job. A tiny change in delivery makes the next caller matter more. Later, the ringing phones turn that measured report into a practical challenge. The role rewards a performer who can make ordinary professional behavior increasingly funny as the circumstances outrun it.

Signature scenes The escalating media list; the Good Morning America beat; the ringing phones.

Michelle

The administrator at Liz Rocco’s real estate firm, caught in the family crisis

A featured role with contrasting emotional colors: careful concern and the delight of unexpected attention.

Michelle’s familiar place in Liz’s office makes her call about the hospital unsettling before Joe has absorbed the news. Later, finding herself speaking with People magazine gives her a very different surprise.

Performance opportunity
The actress can distinguish the effort to deliver difficult information from the pleasure of a brush with celebrity. In both, a believable working relationship provides the foundation. Vocal hesitation, warmth and a quick change of energy give the appearances separate identities. The role offers useful emotional range within the everyday community surrounding the family.

Signature scenes The call connecting Joe to the hospital crisis; the conversation with People.

Big Tony

The local restaurateur challenging Joe over the lawsuit’s effect on the team

A concentrated dramatic turn in which neighborhood generosity acquires an uncomfortable condition.

Tony adds extra meat to Marco’s pizza and greets Joe with familiar warmth. Then he holds the box and asks whether the campaign could hurt the other children. Dinner becomes a conversation Joe cannot simply walk away from.

Performance opportunity
The actor can keep affection alive while making the pressure unmistakable. The hand on the box, the pause before the question and the expectation of an answer give the exchange physical stakes. Tony may care about Marco and still want Joe to stop. That tension offers a character actor a scene with an inviting entrance and a consequential change of temperature.

Signature scenes The pizza pickup; holding the box while questioning the effect on the other children.

Ryan Langel

Casey Langel’s son and a friend of Joe’s son

A lively young comic part built on confidence, shared history and knowing exactly how to tease Dad.

After the family car is stolen, Ryan turns Casey’s warning about disappearing sports equipment back on him. He knows the joke will land because it belongs to their relationship. Brady and Marco share that familiar world.

Performance opportunity
The young actor can work through timing and reaction: catch the opening, deliver the reversal and watch his father receive it. Relaxed physical rapport makes the boys’ friendship believable. At the birthday dinner, the same family context gives the adult confrontation a different weight. Ryan offers a performer an individual comic beat inside an ensemble that feels connected.

Signature scenes The stolen-car joke; exchanges with Casey and Brady; the birthday gathering.

Brady Langel

The younger son of Casey Langel, Joe’s closest friend

An energetic young comic role with the persistence and affectionate fearlessness of a child who has found the perfect joke.

Brady repeats Casey’s own words back to him and keeps needling Dad while Joe attempts a serious conversation. The pleasure is in discovering that the same joke still works. Their playful physicality makes the teasing safe.

Performance opportunity
The performer can build comedy through repetition that changes with the response. Knowing when to interrupt, when to wait and when to push again gives the scene its rhythm. The affectionate headlock adds a physical expression of the family bond. This is an opportunity for a spontaneous young actor to establish a recognizable personality through delight, nerve and attention to others.

Signature scenes Repeating Casey’s warning; interrupting the adult conversation; the playful headlock.

Hillman

Joe’s opposing attorney in the opening municipal dispute

A sharp opening-scene adversary whose professional polish cannot quite conceal wounded pride.

Hillman has the expensive suit and the powerful client, but Joe has outmaneuvered him. His attack on Joe’s clothes attempts to recover status after the legal defeat. The personal insult reveals where the loss has landed.

Performance opportunity
The actor can show the effort to regain control through posture, courtesy becoming brittle and the decision to make the exchange personal. The scene needs a credible professional whose ego has been touched. That specificity gives Joe a worthy target and makes the opening victory satisfying. A brief adversarial appearance becomes memorable through the gap between the image Hillman presents and the anger escaping it.

Signature scenes The aftermath of the municipal dispute; the personal jab at Joe’s clothes.

Valentina Conti

The young singer opening the Little League game before the BatFlip controversy

A featured musical showcase combining vocal presence, public poise and the emotion of a community ritual.

Valentina sings the national anthem at home plate while players and families gather around the game. Her strong finish earns their applause and establishes the shared pride that the coming controversy will disturb.

Performance opportunity
The young performer must hold attention through breath, concentration and sincerity. The setting offers a clear relationship with the crowd: a town listening, a singer carrying the moment and the release when it lands. A confident vocalist can make the appearance feel personal while giving the opening its communal scale. The role has a distinct musical purpose within the film’s portrait of youth baseball.

Signature scenes The anthem at home plate; the final phrase and the crowd’s response.

Lucas

A summer associate at Brian Berkley’s law firm, where Joe’s case is being fought

A concise character showcase in which a generous reaction reveals an entire working relationship.

Lucas invites the associates to Friday drinks, then understands what Maddie is choosing when she stays on the case. His approving thumbs-up recognizes a colleague taking a meaningful professional step.

Performance opportunity
The actor can play the discovery inside the response: an easy invitation becomes respect for someone else’s decision. Familiarity with the group and attention to Maddie give that gesture its warmth. There is room for an emerging performer to establish charm without forcing the moment. The scene helps make the firm a place where colleagues notice and support one another.

Signature scenes The invitation to Friday drinks; recognizing Maddie’s choice; the approving thumbs-up.

Bryce

A summer associate at Brian Berkley’s law firm, where Joe’s case is being fought

A comic entrance with musical rhythm, social ease and room for an actor’s individual personality.

Bryce arrives ready for happy hour, sings a playful Friday refrain and promises to flip a beer in Maddie’s honor. His energy offers a release inside the legal deadline and suggests an established group at work.

Performance opportunity
The performer can make the entrance feel like something this particular colleague would do. The sung phrase, the pause for a response and the parting joke need a shared rhythm with the other actors. The appeal lies in the ease of a person who expects to be enjoyed. It is a compact opportunity to create warmth and comic identity quickly.

Signature scenes The Friday refrain; the happy-hour exchange; the beer-flip joke.

Gina

The records clerk helping Joe as the BatFlip case interrupts his everyday work

A featured character part that rewards an actress’s ability to make routine work feel specific and lived in.

Gina handles Joe’s municipal survey request as Ken’s call pulls him back into Marco’s case. She belongs to the ordinary professional world he is still trying to navigate while the family crisis gathers force.

Performance opportunity
The actress can establish familiarity through pace, practical attention and the shorthand of people who have dealt with each other before. Remaining engaged in her own task gives Joe’s divided attention something real to interrupt. A small adjustment or response can imply the history of the working relationship. The role offers a precise piece of character acting that helps anchor the larger story in everyday New Jersey life.

Signature scenes The records-office transaction; Joe’s divided attention when Ken calls.

Trish Hartman

The television reporter covering the BatFlip suspension and court challenge

A featured broadcast role with the challenge of letting personal feeling enter a disciplined professional delivery.

Trish explains the approaching deadline, then allows her local roots to surface as she wishes the boys well. Her later presence in the courtroom carries the public report into the place where the decision will be made.

Performance opportunity
The actress can work with breath, vocal clarity and the small shift that makes a practiced report suddenly personal. Credibility must hold as warmth enters. In court, attentive listening replaces the authority of addressing a camera. The contrast gives the performer two distinct modes and makes the reporter part of the community whose story she is covering.

Signature scenes The television report; the note of hometown support; attending the hearing.

Patrick Lanni

The NJ.com reporter covering Joe’s challenge to the BatFlip suspension

A focused courtroom appearance in which professional ease meets a judge who knows he has an audience.

Patrick identifies himself when Malestein addresses the press row. He is there to observe and report, while the judge is enjoying the attention. Their exchange makes the room’s national visibility tangible.

Performance opportunity
The actor can establish confidence through economical delivery and alert listening. His reaction to the judge helps define the balance between public performance and a working courtroom. The task is to suggest a reporter already deciding what matters while remaining fully present in the exchange. A precise character performer can give the press row a recognizable human presence amid the family’s anxiety.

Signature scenes The press-row introduction; the exchange with Malestein; listening to the hearing.

For the screenplay and role inquiries: Joe Rocco · Joe@batflipventures.com

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